I watched Murder In The First these days, this movie is based on real events. Here are the mainly plot: Henry was sent to prison at a young age for stealing five dollars, he tried to escape from the famous alcatraz prison, but failed after being betrayed by a fellow inmate. The warden of the prison, Glenn, hated Henry for threatening his position, so he put Henry in a sealed dungeon for three years, where there were numerous beatings, and Henry was mentally and physically devastated. The first thing he did when he left the dungeon was to kill the prisoner who had betrayed him with his dinner spoon. Henry was charged with first-degree murder and put on death row.
Lawyer James who had just left the school gate was ordered to defend for Henry, Henry almost lost the ability to communicate after years of torture, James did not give up any opportunity, gradually close the distance between the two people. But in the process, James encountered resistance from many sources: the judge and jury, Henry himself, and the American prison system. But he did not give up, uphold the persistence of justice, found many suspicious points of the case, in the court he directed against the inhumane prison side, exposed one appalling prison scandal after another. In the end, he won -- Henry was convicted of second-degree murder, and the alcatraz jail was ordered by a jury to open an investigation.
What struck me most about the film was the soliloquy at the end of the film by lawyer James: “That was the last time I saw Henry alive. His body was found in the dungeon the day before the appeal session. Under his body, he wrote a word on the ground on a rock: victory. Henry taught me the meaning of the word. He is the only person I know who gives more than he asks for. All he wants is a friend. I regard him as one of my best friends. Unlike others who lived longer, Henry did not die for nothing. In the end he was not afraid, he lived and died in victory. If only we could all do this.”
It’s true that Henry's body is like a worm, vulnerable to the power and the unsound system, but with his own weak, hit the stone, even if shattered. After Henry's death, humane management of American prisons was taken seriously. Although it was Henry who began the trial, but it was the prison, the dark system, that ended it. So Henry died, but he actually won.
The film takes aim at the dark side of the American justice system, especially inside prisons. The prisoner, the lawyer, the warden, form the main thread of the story. Although this is the 1940s, it still has a strong cautionary message today.
After watching the whole movie, my view is as follows:
First of all, Henry was sent to prison for stealing only five dollars. I'm somewhat mystified is that did the five dollars meet the criteria for filing a theft at that time? There was a sharp contrast, James stole five dollars from his brother as a child, but his brother only educated him. Henry, on the other hand, went straight to prison for stealing five dollars from the post office, with no chance to defend himself. And the life in prison was inferior to death, so did this conform to the principle of punishment? Can it really have the effect of cracking down on crime and civilizing criminals? I deem that was overpunishment. China's criminal law is to follow the principle of adapting to crime and punishment, the most significant thing is that it comprehensively considers that the penalty should not only adapt to the nature of the crime, but also to adapt to the circumstances of the crime and to adapt to the personal danger of the offender, so that the punishment will not be excessive or even unreasonably illegal.
Second, Henry had spent three years and two months in solitary confinement, in a dungeon it was not supposed to use -- a gas chamber left over from the first world war. At the time, the law limited a person to a maximum of 19 days in solitary confinement. So was it a loophole in the law? It was clear that Glenn's practice was seriously illegal, but no one supervised. And the dark reality of lawyer James's boss, fearing he would find out the truth to win a trial, even wanted to disqualify him from representing Henry. Similarly, the film was full of beatings and endless brutal torture. Is the law only intended to deter criminals with cruel punishment rather than guide them through a combination of moralization and punishment?
In the end, the crucial point of the case is whether Henry really did commit first degree murder. The criminal statutes of most American states grade murder according to the different types of murder and the severity of the penalty imposed. Generally, murder is divided into two levels, namely, first degree murder and second degree murder. The main difference between first degree murder and second degree murder is: there is no intention to kill and premeditated murder. First degree murder generally has the following categories: first, premeditated homicide due to negligence and cause the death of most people. Second, murder in the course of committing other felonies, such as arson, rape, robbery, burglary, and kidnapping. The second degree murder is that the perpetrator has no premeditation to kill, not in the course of the crime to kill, but a temporary intention to kill.
Therefore, I do not believe that Henry is guilty of first degree murder in this case. A closer examination revealed that on the day of his release from solitary confinement, Henry had only come to dinner. But there was a person deliberately taunted to provoke him, he killed that prisoner was a temporary intention rather than premeditated murder. Therefore, it does not meet the constitutive requirements of first degree murder. Also, I deem it's debatable whether Henry's killing was murder. The law states that an intentional killing upon “great provocation” and “in the heat of passion” constitutes the crime of voluntary manslaughter. In applying the test of whether an intentional killing was upon great provocation and in the heat of passion, the question is put to the jury, or to the judge in non-jury cases, as to whether the accused reacted as a “reasonable person”. Therefore, at this time, the role of the jury or the judge is relatively large, which requires a higher comprehensive quality of the jury and the judge. Though James eventually won the case, was justice still justice?
在我看电影的同时,儿子偶尔拿着他的乐高从我身边跑来跑去。在看到一个赤身裸体的人在受到虐时,他的表情有点恐惧,“妈妈他怎么了?他为什么被打?”我说他在监狱里,他在受惩罚,他越狱了。又过了一会儿,他又过来了,“妈妈都演这么半天了,他怎么还在监狱里受罚?他有很重的罪么?”我说不是,他没有犯很重的罪,但他在监狱里受到了不公平的对待,他们把他关在黑黑的没有窗没有床没有厕所的小屋里三年多。“那他太可怜了……”看到结尾亨利抬起头和监狱长不卑不亢的说:你可以打我但拿不走我的胜利果实!儿子又不知什么时候站在我身后了,我说你是不是没看明白?他点头。那你还总过来看?他说这犯人好像变厉害了!
小孩子看不懂电影,但有时他们说话,就是很在点儿上……无论电影有几分真实几分虚构的艺术创作成分,它依然有它要传递的信息,依然能让我在看完之后有被触动。
我只告诉儿子,有信念有思想能坚持,是件很难的事,但希望你能成为这样的人。
亨利最开始连说话都不愿意,但最后他有了朋友,有了支撑,他强大到可以说出自已所愿所求,可以去反抗,可以成为颠覆司法的一个起点,真的很了不起!
人的一生,没有几个一千天,怎么过都是过,但我还是希望能过得更有宽度,更珍惜阳光和拥有的一切。
如果我们转过头去看那些好的法律片,好的庭审戏,那么会发现它们有一个本质共同点,那就是对所谓“正义”和“真实”有清醒的认识。
对人来说,“真实”其实只是一种判断,一种两个事物是否一致的判断。如果b是人认定的真相,本质,那么当a与b相符的时候,人就认定a是真实的。而所谓的真相b,只是人心中所认定的真相而已,他们或许来自直接的亲身经历,或许间接地来源于某些传闻。所以说,b其实有强烈的主观性。
好的法律片很清楚这一点,因此他们在设计整部影片时一定会考虑,影片中的真相到底是什么?观众将如何接触到这真相。
如“刺杀肯尼迪”,全片就是一个带领观众重新走进历史的迷雾,对历史资料的再次梳理,引导观众去发现真相。
如控方证人这样的电影,则始终在玩味观众与真相之间的关系。它不断地引导观众去相信某个真相,一会儿又将其推翻,出现新的真相。观众的视角和所能知道的,完全在创作者的设计之下,其目的在于惊奇或者使在反复的推倒重来中使得观众对所谓真相产生怀疑。
而像一级谋杀这样的电影,一开始就让观众用最“真实”的方式,用双眼见证了真相(电影的特权)。这种方式并非不行,“飓风”也是这样。但是当你选择了将真相放到前景的时候,你就不能再将探讨真相作为重点。一级谋杀没有犯这样的错,但为何它让我感到没有任何惊喜?因为当影片将焦点放在监狱对于人的摧残上的时候,影片没有对摧残进行任何深入的刻画或探索。仅仅一个从害怕到反抗是远远不够的,仅仅一直展示鞭打折磨黑暗是不够的。因为当亨利被折磨的画面被直接展示给了观众,观众心中早就清楚亨利会胜诉。导演意识到了,加了一个亨利在众目睽睽下(包括观众)杀人的情节让亨利真的有罪,但是这还是不够,因为在观众眼见到受到那样折磨的亨利后,他的报仇显得理所当然,甚至是快意的,所以这不至于让观众觉得他真的有危险。
因此,真正地去展示和揭露折磨,或者监狱这个体系的内部是必要的。不论是从监狱中找出愿意作证的罪犯,狱警,还是用潜入或回忆的方式进入内部。这才是深刻的来源,也是做好庭审戏的本质和来源,只有对facts的仔细考察,才会给庭审辩论带来更丰富的内容。
当然,辩论技巧,话术这些是每一个好的庭审戏所必备的,但这些技巧只是附属作用,真正重要的还是在于考察的深刻。
脸盲症患者没救了,看完整片还在想演监狱长的男演员是谁,演技这么神怎么没红起来,一看演职表原来是加里·奥德曼,叔把胡子刮这么干净。居然盯了这么长时间就没认出来。凯文·贝肯也表现出了自己的最佳状态。
1995的两部监狱片,肖申克的救赎被奉为经典,一级谋杀则相对默默无闻,但若要说内涵,我认为后者比前者深刻残酷得多。这一类电影的燃点与泪点往往都在最后,凯文贝肯既能疯狂,又能单纯,最后亨利挺直脊梁在狱友的“掌声”中一瘸一拐走进地牢的样子就像归来的超人,you did it
从亨利被押进监狱与律师交流的一言不发、四处逃避,到最后亨利说出鼓舞人心的“我赢了,你永远不能把胜利的果实从我身上带走。”作为观众感受到了律政片对于正义伸张的颂扬,对包藏罪恶的零容忍,这是我们现实生活中最缺乏的和最应该去落实的
Kevin Bacon 真是爱果,不过演技真的没话说。这也算是法庭辩论的经典之作了吧,可以和费城媲美。
阿尔卡特兹监狱的传奇往事。本片通过以第一人称视角回顾为监狱勺子谋杀犯辩护的经历,强调的是正义良心信念的力量。摄影出色,多处精彩段落。法庭戏稍显冗长。
制度的完善总有先行的牺牲者,这片真是看得又难受又温暖。Kevin Bacon太棒了,一出现在镜头里就让观众心疼。(PS:直到片子过半我才看出典狱长是Gary Oldman……扮演法官的是《全金属外壳》里的粗口教官,这反差真是不敢相信。)
是胜利的悲剧,更是悲剧的胜利.henri请James回来当他的律师,玻璃上的影子,两个人的眼睛刚好相对.从henri看到妹妹开始,忍不住眼泪啪嗒啪嗒的掉.Kevin bacon表演超超超赞.Gary oldman也是把Glenn对犯人henri的"恨"表演的入木三分.
看片名还以为是一部悬疑片,结果一坨又一坨无聊的法庭戏。对理想主义拙劣的表达只能让真正的理想主义者感觉到虚妄。
这是一部关于人性救赎的电影,一部关于弱者与强权斗争的电影,主人公是个微不足道的小人物,在强大国家机器面前,他已经妥协,完全丧失了人的尊严,但在律师的帮助下,他逐步找回了自我,虽然故事的结局是弱者的倒下,但在那一刻,他是事实的胜利者,相比之下,监狱长失败得没有任何余地。
黑狱,暴政。这个故事就是告诉我们,资本主义万恶的黑暗面。曾经的黑暗面,当然,即使那样的黑暗,也不是没有光明。因为,有一个东西叫:司法独立。小黑屋?咱可一点儿不稀奇!!
好电影就是我忘记了为什么把他放进想看里但看着发现好像是某个原因而放进去的然后谷歌出来果然是。辩词太精彩!calm down and carry on.
虽然亨利在法庭上取得了胜利但那是律师的胜,正义从始至终都未曾降临到亨利身上,他最终死在了地牢里,就如同死在毒气室里一样,甚至更加糟糕,并没有任何人对此事负责,我想他在生命最后写下“胜利”时,内心是极度悲凉且绝望的。亨利或许为其他人带来了一个相比于过去更加公正的系统,但利用所谓权力对他人造成伤害的人并不没有得到能与亨利相比的所谓公正待遇,权力和阴影是滋生魔鬼的地方,这个世界并不存在公平,阶级让人们拥有不同的武器,每个人都是作为一个个体在生活,而本片最后将亨利的悲惨结局看作是社会司法的胜利,这是纯粹的洗白,作为普通的老百姓,站在促进社会进步的角度去自我牺牲除了让上层阶级喜闻乐见外我看不到任何能让自己生活更好的意义。最后,把亨利送回阿尔卡特兹,这律师也不知道是真蠢还是太高明。明摆着送死不用讲了吧。
就算所有的证据都表明这是一场毫无胜算的审判,也无法湮灭胸口燃烧的正义,宁愿最后的反抗只能是死在一个暗无天日的监牢,也不会拱手让出最后的胜利。我不是凶手,我只是个凶器,真正的凶手不是某一个人,而是一种高高在上的野蛮,一种目无法纪的权力。我们拥有最真挚的友谊,却只能隔着牢笼惺惺相惜。
蓝光重刷。真实故事改编,恶魔岛的故事快变成美国的监狱宇宙了。遭受虐待的人犯+初出茅庐的律师,这个配置也属寻常道路,犯人身世足够凄惨,三年地牢耸人听闻,电影回避了他入狱的原因,塑造他痴迷棒球的国民性,监狱代表在法庭上频频失态,最后美国国旗招展——本片并未摆脱用戏剧性夸耀美国制度优势的主旋律框架,但蹊跷的是贝肯死亡的结局,这点在电影里虽被一笔带过,但多少流露出编剧在改造这个故事时无法自圆其说的尴尬。双男主的友谊部分,探讨了命运的荒唐,上演了狱中偷欢的戏码,也同样因贝肯在地牢无声死去而显得虚假。值得称道的是贝肯的演技,他脚筋损毁的身体和濒临崩溃的精神都演得很好,摄影机总在移动,也常利用铁笼做前景拍摄人物,渲染出复古、优雅、伤感的基调,剧本虽有问题,可导演用伤感而流畅的舞步引领着观众感受了整个故事
凯文贝肯的监狱被虐,总让人想起同样遭遇的《饥饿》的法鲨,难怪两人在X第一课中都当反派~【够了!言归正传,影片主旋律味道浓厚,除了犯人亨利的角色很立体外,其他人都有点点刻意;凯文贝肯的神演技大赞;血腥暴力的画面给人很刺眼的感觉,观影的我们无论是感官还是心灵都被狠狠的撞击了一番。
社会意义大于影片本身,法庭戏比较出彩,凯文贝肯的表演加分不少...
沧海遗珠,肖申克的救赎在此也不值一提。这应该是我观影迄今在表现庭审以及刻画司法主体关系层面最最专业以及丰富的电影了(仅指电影)。1、剧情方面,是极优秀的真实事件改编与再现,关于臭名昭著的Alcatraz监狱的“丑闻与倒闭史”。饱含情感又绝不煽情;严谨详实又毫不枯燥;磅礴大气又细腻温情。2、演技方面,无可指摘,史莱特演绎的刚毕业满腔正义的律师,凯文贝肯塑造的被Alcatraz监狱毁灭的囚犯,二者的对手戏张力满满,甚至连加里奥德曼都有些黯然失色了。3、难得是,它不仅仅是一个饱满的剧情片,一方面它将律师与法官、公诉人以及行政权力之间的关系刻画地那么真实到位,并且,也只有一个初出茅庐的哈佛法科毕业生才有如此胆魄与雄心用爱发电、挑战权力;另一方面,它呈现了一个现代“悲惨世界”,一个鼓舞人心的悲剧。
victory 为什么要死!!!!!!!!!!!!!不公平!!!!!!!
也許電影和真實事件還有很大差距 但Henry受到的虐待、法庭上的幾次激烈辯論都震撼到我了 始終都覺得變態兇手和辯護律師的感情是這世上最美的感情之一了~ 4.5
“你可以打我,你可以把我再关回地牢,你可以做任何你想做的,我无所谓。行动:我赢了!反应:你永远不能把胜利的果实从我身上带走。”你想当一辈子懦夫还是英雄,哪怕只有几分钟。