长篇影评
1 ) 才看到一条访谈,魔法特你又吃翔了吧?
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[存档]Steven Moffat - Elementary has changed Sherlock Holmes too much
The co-creator of BBC1’s Sherlock suggests the Jonny Lee Miller series is too far removed from the original storiesComments Share this episode
Written By Paul Jones
The new show, currently in production for American network CBS, brings Jonny Lee Miller’s detective to modern-day Manhattan, alongside Lucy Liu’s female Watson. And Moffat, who together with Mark Gatiss brought Sherlock Holmes up to date for the BBC, says it could be a step too far.
“What we did with our Sherlock was just take it from Victorian times into modern day," he said. "[Elementary has] got three big changes: it's Sherlock Holmes in America, it's Sherlock Holmes updated and it's Sherlock Holmes with a female Watson. I wonder if he's Sherlock Holmes in any sense other than he's called Sherlock Holmes.”
Moffat even had some suggestions as to how CBS might have gone about the job better: “It's almost like they should have made Watson a woman but kept the show in Victorian times... that would actually be quite interesting," he told TheInsider.com. [摩法特果然灵光!]
Moffat will at least be relieved to discover that Elementary does not follow Sherlock too closely, since he and the show’s executive producer, his wife Sue Vertue, initially expressed concerns when the US series was announced.
Having turned down an offer from CBS to be involved in an American version of Sherlock, they had been worried that Elementary would be just that.
"It's a slightly odd situation because [CBS] approached us to do an adaptation and we declined, then, coincidentally, they announced they were doing an updated version of Sherlock Holmes," said Moffat.
And although he says Elementary is different from Sherlock, he still has misgivings [we all have such misgivings---唉!] about the effect it might have on the Sherlock Holmes legacy: "I don't want it to sound like Mark [Gatiss] and I don't want other people to try this. We welcome it, but don't damage the brand," he said.
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福尔摩斯不是你家的好吗?指手画脚真的合适?另外转载的作者:他灵光个脑袋?正因为在21世纪所以女性是完全可接受的,道尔当年当然也可以写女医生,不过当时流行的就是同性朋友间情谊(看其他文学作品即知)。就和化学反应的那个活化能模型一样,“21世纪”就是那个峰值,随后的女性啊,执照问题啊,都是顺理成章的。而19世纪与女性是反的,结合在一起反而不稳定。MOFFUCKER你提这个蠢建议是吃英国菜吃多了吗?而且你总关注性别这种原始的问题算个鬼?还有刘华生比你家那位小媳妇性格成天只打听福的情感问题的爷们了更配得上并肩战友的称谓你怎么不说?再有你们有资格说CBS吗?人家在87年和94年就拍完两部现代福+女华生了,那时候你们还在吃翔吧?再再有,一副“现代福是我们的创意”的高姿态不能更讨厌,不说更早的,你将BR福置于何处?
2 ) 大爱华生
先说一个热点话题,就是美剧版和BBC之间的比较。
BBC版的福尔摩斯,是一个让人只有仰着脖子在内心感叹“牛逼”的作品。牛逼的福尔莫斯,牛逼的编剧,牛逼的摄影!
美剧版的福尔莫斯,则是个让人窝心却又纠结的故事,尤其是刘玉玲演的华生。
毫无疑问,BBC版的是最具有原著风格的改编,而美剧版的则是最和现代人心态贴近的改编。
而美剧版的改编最大的亮点在华生。她不再是神旁边的木偶,而是充满了灵魂。她洋溢着女性的与生俱来的优点--宽容善良的母性,同时她对福同学有着深厚的信任感和好奇心(爱情的基础),并且非常性感!
这样的已知条件出现,一般男人都早已按耐不住的滚床单了,但是他俩竟然目前还保持了克制。尤其是福同学认为华生想和山寨版的福同学滚床单那段。
对此剧我有着极强的带入感——就是想和华生滚床单,但是却只能看着两人在那边天雷擦着地火的戏码。于是我就成了华生的脑残粉了
3 ) 'YOU ARE MY BROTHER' 哥哥的真爱是弟弟
这部电视剧是越看越有味道的,米福越来约有人情味,刘花生也在渐渐成长为一名侦探。真正难能可贵的是,这部剧没有打着福尔摩斯的名头各种撒狗血买狗粮秀智商(好吧其实我们一直被秀智商),而是真真正正地在用 演绎法 去破案。观众们跟着米福,看着他在刘花生和NYPD两警探的帮助下,一步一步推理演绎出凶案的经过,让杀人凶手落网,给被陷害者以清白,真的很爽。花生在他的感染下,一步一步走出了自己的阴影,活出了自己的精彩,而米福在一帮同伴(尤其是花生)的陪伴下,也逐渐恢复,并且状态更胜从前。但他依然敏感,脆弱,骄傲。米福给我的感觉,就像是那有着精美冰裂纹的瓷器,美丽,神秘,坚硬,却又脆弱的不堪一击。
看剧的时候,我总是担心他那一天就复吸了OTZ,虽然我觉得以电视剧这一存在本身的尿性来说肯定有这一环节,只是时间早晚罢了。在看第二季最后三集的时候,我真的被这对福尔摩斯兄弟感动到了。哥哥对弟弟的爱那样深沉(= =),那样隐忍,所受的苦,所有的委屈,都是为了保护那个脆弱骄傲的弟弟。哥哥羡慕着弟弟能遵从自己的本性生活,那样自在潇洒。可是这样的生活,必然有代价要去支付,作为疼爱弟弟的好哥哥(好吧麦考夫可能自己一开始都没发现),自然得想法子帮弟弟解决一切通往自由生活的阻碍。米福最后终于知晓麦考夫为自己牺牲了多少,这一切只因为麦考夫的一句话“You are my brother.”这份对家人兄弟的爱是多么沉重,有多么幸福。米福自然要为好哥哥做些什么,结果在他和花生为此辛苦努力的时候,麦考夫自己把自己“解决”了,以惨烈的方式赢得了胜利,代价昂贵。可是,亲爱的弟弟和美丽的爱人安全了,麦考夫觉得一切都值得。米福自然生气,在我想方设法还债想对你好的时候,你却自己伤害自己,只为了我的安全。这愤怒自然成了嘴里的“自私的懒鬼”这样的话语。唉。
米福就是有这样的魅力,让人不自觉地都照顾他,帮助他。看23集时开头哥哥和花生的对话,一瞬间觉得他俩在一起也挺好的,毕竟两个都“share the burden. take care of him”,哈哈,而且两人也彼此相爱。 可惜最后啊,还是没成,让人唏嘘啊。
废话了这么多,也没啥逻辑。但中心思想只有一个,这真的是一部好剧!好剧本,好演员。希望有更多的人喜欢这部剧!
另外,觉得刘玉玲的花生越来越有气场了。聪明,强大。刘玉玲本人也越看越漂亮了。(*^_^*)
4 ) 十二集开头福尔摩斯给莫娘的回信
We have spilled much ink,you and I,in our discussion of human connection...
and we're no closer to understanding than we were when the correspondence began.
I often feel as if I'm standing on one side of a wide chasm shouting across, and wondering if the response I hear comes from you,or if it is my own voice echoing back to me.
It seems to me, on my side of the canyon,that the search for unity with another is the font of much of the world's unhappiness.
I watch as Waston, eager as ever to extract some meaning from the prevailing social conventions endures a series of curated mating rituals.
It seems to me that she's incrementally less content each time she returns from one.
I conduct myself as though I'm above matters of the heart, chiefly because I have seen them corrode people I respect.
But in my candid moments, I sometimes wander if I take the stance I do because love,
for lack of abetter world, is a game I fail to understand,and so I opt not to play.
After all, if I truly had the purity of all my convictions, I wouldn't regret so many of the things i've done.
Nor would I persist against so many of my better instincts in this correspondence.
I find you a challenge,one that, in spite of all that you've done,continues to stimulate
And so the conversation, futile though it may finally be,continues,and we are left to wonder:have we simply failed to find the answers to the questions the preoccupy us...
or can tey not be answered at all?
Fortunately for both of us, the world always presents the next diversion...the next elaborate distraction from the problems that vex.
5 ) OST
精选集(持续更新):
http://www.xiami.com/song/showcollect/id/25238962(这一季除了Exit Music,插曲也很精彩呢)
E1:
The Village -Tunng
Hello - Oasis
London Calling - The Clash
The Son Never Shines (On Closed Doors) - Flogging Molly
Follow Follow - Tunng
E2:
Sea of Air - Portugal. The Man
E3:
The Load - Barbarossa
E4:
State of the Art (A.E.I.O.U.) - Jim James
E5(无)
E6:
Heal - Tom Odell
E7:
Ante up - AgesandAges(新歌,暂未发行)
Follow My Feet - The Unlikely Cadidates
E8:
Unofferable - Half Moon Run
E9:
Time Is on My Side -- The Rolling Stones
E10(无)
E11:
Hurt -- Johnny Cash
E12:
The Crooked Kind -- Radical Face
E13:
On the Other Side -- The Rocketboys
E14:
Better Now -- The Vespers
E15(无)
E16:
Bad Day -- Daniel Powter
E17:
Confidence -- The Dodos
E18:
Walking With The Beast -- Primal Scream
E19:
Rudie Can't Fail -- The Clash
Break The Walls -- Fitz and The Tantrums
Leave It Alone -- Broken Bells
E20:
Wrapped In My Memory -- Shawn Smith
E21:
Never Be That Tough -- Simone White
E22:
Fall In Love -- Phantogram
E23:
Escape Artist -- Zoe Keating
E24(无)
6 ) 相爱相杀的一对
没抱太多期望追的一部剧,没想到竟然很有味道。逐渐褪去自负、暴躁的福尔摩斯,不再卖弄的福尔摩斯,富有包容之心、有原则有智慧的华生,和福尔摩斯相爱相杀的M,每一集都有其与众不同的点,每一集都值得慢慢去品读,很有人情味的一部剧,对于各方面的细节都很考究,很值得一看的一部剧。
也许人生有三个成熟的阶段,第一阶段是意识到自己并不是最独特的那一个,第二阶段是明白很多事情不是付出就有回报,第三阶段是就算知道付出没有回报,仍然在努力做好每件事。
越来越渐入佳境 超过英版妥妥儿的。
米福的赞是真正的二次改编的赞,是遵循原著精神的同时又切合当代主题的赞,是融入正统美式文化又不失夏福精髓的赞。每个角色的定位都带有各自不可或缺的属性,能够达成影视语言中1+1+1=n的连环关系的赞。
人物立体,故事扎实,格调也不是靠腐靠虚浮夸大,赢BBC版九条街,好看!
哪怕案情再有天大的冤屈,也不能让调查凌驾于法律之上,参见辛普森一案。第十集做的很好!
Officially,让福尔摩斯和华生在一起吧,要不这人设就白费了, 俩人暧昧100多年了。。。
麦哥理想型(¯﹃¯)然后因为E2福对华过去的态度,和处理华与过去相关人物的立场,果断五星。说句实话,论燃的程度美版和BBc永远没得比了,但在人物关系处理(互相影响依存的个体)上,同等出色
我喜欢女花生!!第一季追着看的
一些朋友只追夏洛克,,不过我觉得女版花生也没什么不好的,剧情才是硬道理
这版刘玉玲的Joan Watson并无槽点,反而十分出彩贡献了几场好戏。Joan不依附于米福,果敢知性聪颖...形象复杂饱满,越看越喜欢。从Joan出发,将米福的人际关系处理的很好。麦哥经营餐馆烟雾弹也放的好,Rhys Ifans确是个惊喜,唯独推理单线条仍是缺陷
强烈推荐,不管从剧情内容丰富程度,知识扩展,推进节奏,演员演技,都必须属于5颗星的强烈推荐,必须心无旁骛的仔细观看之经典影片。
说实话和福尔摩斯有啥关系。。。
欣喜的发现,部分人对美版评价超越英版.......lucy liu怎么越看越顺眼,她的小粗腿都包容了.....
由路人转粉,原因就是温暖的福尔摩斯非常好。
第二季比第一季还好!!!主要是华生是我看过所有福尔摩斯里面形象最充实最独立最复杂的华生。她绝不是福尔摩斯的陪衬,不是笑料,不是小丑,不是福尔摩斯的沙袋。。。真是太爱这个剧了!!!(BBC可以去死了)。
不靠卖腐的福尔摩斯。没看过第一季,第二季才看了三集,不错!
I consider you to be exceptional. ><
这一季心情好复杂,我对米福和刘花生是有特别情感的,开场的前八集不尽人意,第九集才回升,虽然更直白的米福让一众粉丝心花怒放,但我还是喜欢第一季那种深沉的肯定。这季最讨厌的角色就是麦哥,Ifans在别的电影里都蛮帅,这次头发丑到没天理,无法接受他跟花生。至于搬家,米福心都碎了。
脚踏实地的本格范儿。
编剧太牛逼,剧情新颖又严密,可惜演员稍稍弱了一点,不过luci liu越看越美怎么回事
说实话,我觉得比英版的强。