佩姬苏要出嫁

An outlier among Coppola’s corpus, PEGGY SUE GOT MARRIED is an echt high-school chick flick that jumps on the bandwagon of the “time-travel” fad jump-started by Robert Zemeckis’ far superior BACK TO THE FUTURE (1985).

During the 25-year high school reunion, Peggy Sue (Turner) is so overwhelmed by old friends and memories that she faints on the stage when she is again crowned the “prom queen”, afterward, inextricably she wakes up in the year of 1960, the senior year of her high school. She gets a chance to relive her teenage days and most importantly, an opportunity to reassess the relationship with her boyfriend Charlie (Cage), because 25 years later, their relationship is officially on the rocks.

Light on the scientific explanation (a surprising Freemason ritual is as far as the mystery goes), as Peggy Sue is not particularly a science geek like her classmate Richard (Miller), a nerd shunned by most of his classmates, but in time will become a billionaire inventor and elected as the “prom king” during the reunion (the vindication of a typical American dream for a wallflower), the movie feints at the potentialities that Peggy Sue can benefit from being back from the future (“pantyhose” is a loose end), whereas the meat of the story hinges on Peggy Sue’s oscillation in whether or not she should break off with Charlie.

After a dally with the lone-wolf, poet-type cool guy Michael (O’Connor), who turns out to be a lunatic polygamist, Peggy Sue is designed to find some new perspective in Charlie that can embolden her to renew her faith in their union, and for that matter, the film nearly misses its mark, Charlie is the same old Charlie (Cage is too droll and wacky to pull a straight face as the straight arrow Charlie inspires to be, but the performance itself is a hoot and half), his love for Peggy Sue is genuine, but that doesn’t mean it can resist the corrosion of life as she knows it, eventually, Peggy Sue capitulates to the same life orbit, but not much on her own volition than the movie’s lazy prescription, tainted by its cheesy denouement, when she wakes again everything is just castles in the air (but ambiguity is implied by Michael’s published poems).

It is somehow refreshing to see Turner earn her sole Oscar nomination to date with this romantic fluff (BODY HEAT’s snub still hurts), but most strikingly, she has to turn a 40-something woman into a believable high-schooler with only minimal makeover in appearance, and not arouse suspicion when mingling with people who know Peggy Sue the teenager on a daily basis, a condition mitigated by casting a gaggle of 20-and-30-somethings as her classmates, it is nice to see those familiar faces like Cage, Carey and Allen, still filled with collagen, and a scrawny Sofia Coppola, the only real teenager in the picture. But the film is Turner’s home turf, who jubilantly tones down Peggy Sue’s worldly self-knowledge with genial amazement, vim and vigor, but speaking of the discernment of the opposite sex, that is, in evidence, not her strongest suit.

论感化的无效性。回到过去便是拒绝今日之自己。中年危机的他们是只会把问题推给死人的窝囊废。在他们目之所及只有一个角色，那便是失败的他们的投射。他们刻刻锥心，不能拥抱无能的自己，只能相信重来一定有救。不然，他们几乎不能苟活。而主流永远不懂他们的逻辑，永远在射偏也永远在做无用功。

同理，夏洛特烦恼也有一样的问题。

这也和所有的小粉红犯得意识形态错误是一样的。

是本末倒置的一种驴头不对马嘴。

参与事件讨论的人超过百万人，但为确认事实去看《佩姬苏》的豆瓣不到2000人。 如果你在乎，请自己去认证一些事情，不要听别人的观点去判辨和摇摆，语言可以千变万化，永远有利于说话的那方。 这不是《无双》和《非常嫌疑犯》被大家论述的那种相似，也不是明确的文案抄袭，只是一个穿越梗和部分动作的类似，相似程度可能不到百分之十。个人觉得几乎完全是两个故事。倒是1小时01分的那段抽dm跳舞脱衣服sex场景（或者说是元素）和《燃烧》似有重叠。而和《夏洛特》没看到明显重叠点。 ——以下剧透—— 说回本片，剧情结构剪辑逻辑都差到莫名其妙。女主表演浮夸。

一开始参加同学聚会，交代家庭婚姻关系，男主查理出轨，女主准备离婚。然后舞会颁奖舞王舞后，舞后是女主就晕过去穿越了。 穿越后的剧情完全是拖延时间，女主本想改变人生，还是发现为声音男主着迷，想睡了男主，但男主拒绝了，然后女主睡了曾经想要睡得另一个哲学诗人迈克尔。第二天还听着男主的情话。过了几天好友和男主发现了那晚的事情来质问女主，女主要求分手，说给彼此一个解脱。 然后和迈克尔出去聊天，迈克尔说毕业要带女主一起走，到一个一夫多妻的国家生活，女主拒绝说那只是一夜情，这时候听到了男主的唱歌又被吸引。 女主徘徊纠结想要回到现在，想念自己爹孩子，然后就驾车来找外公外婆，外公说自己参加的某宗教组织可以帮助她穿越，然后一群老人家穿着紫色衣服点了蜡烛念了咒语，灯爆炸了，女主消失了。 原来是男主查理抓走了女主，说这些老头会让她消失。并说理解和原谅女主的出轨，表白后求婚。女主咆哮拒绝，男主拿出杀手锏一根爱心项链这是他们的定情信物，里面是他们孩子的照片，但过去放的是他们小时候的照片（和他们孩子一模一样），女主被感动后滚床单。

朦胧穿越醒来，听到男主再叫自己的名字。看到同学们送的花，迈克尔写给她的一本书。女主说和他并不熟，约男主来家里吃饭。女儿走进来牵起他们的手。剧终。 所以男主出轨为啥女主穿越后出轨回来就原谅了男主的出轨? 男主出轨后悔不已，按照逻辑想要穿越改变的不应该是男主吗? 男主出轨，女主想要离婚，应该后悔过去选择男主，那么回到过去为什么出轨后，还是做了同样的选择？ 另外尼古拉斯凯奇现代人设的年龄应该是38-39岁，这半箱和嗓音苍老的像58的吧。 唯一惊喜的是嫩的出水的金凯利！要不是最近正好看了楚门真的不敢认。