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Mariano Llinás’s 868-minute La flor was one of the highlights of IFFR 2019; now, the Argentinian director is back with a film about Italian-Argentine singer Ignacio Corsini. “The greatest singer of tangos and Argentine classics”, says Llinás, who, like in La flor, regularly appears in front of the camera himself. On 9 July – Argentina’s Independence Day – Llinás sets off in Buenos Aires with his regular cameraman Agustín Mendilaharzu to re-record ‘Corsini interpreta a Blomberg y Maciel’, an album made in 1929 by lyricist Hector Pedro Blomberg and composer Enrique Maciel, as an ode to Juan Manuel de Rosas, leader of the Argentine Confederation. Llinás visits the places that feature in the songs and goes in search of the stories behind the album. Resulting in great entertainment, with songs such as ‘La pulpera de Santa Lucia’ including lyrics like ‘she was blonde, her blue eyes reflected the glory of the day, and she sang like a lark’.梦想合伙人[电视剧版]杨贵妃之死黑钱胜地 第四季疯狂的士寻找遗失的未来大女当嫁舞动人生真情年代大决战名校风暴 第三季暴裂无声超级巨星(原声版)夫人副本重启中夜车1959玻璃盒子城市特警暗恋橘生淮南胡一天版少林小子方世玉音乐救赎者骆驼客血色蝗灾科技新探铁达尼号真爱不死第三季战神阿瑞斯二十世纪快车法医秦明之雨中协奏曲和歌子酒第5季赌命游戏分手大师2014同一屋檐下霸道爱情之恋上灰姑娘冰尸玩过界野山百里香火烧岛之横行霸道粤语魔王撒旦的奴隶TOKYO MER～移动的急救室～电影版天狼星盟军敢死队巨星养成记国语机器人8号
Mariano Llinás’s 868-minute La flor was one of the highlights of IFFR 2019; now, the Argentinian director is back with a film about Italian-Argentine singer Ignacio Corsini. “The greatest singer of tangos and Argentine classics”, says Llinás, who, like in La flor, regularly appears in front of the camera himself. On 9 July – Argentina’s Independence Day – Llinás sets off in Buenos Aires with his regular cameraman Agustín Mendilaharzu to re-record ‘Corsini interpreta a Blomberg y Maciel’, an album made in 1929 by lyricist Hector Pedro Blomberg and composer Enrique Maciel, as an ode to Juan Manuel de Rosas, leader of the Argentine Confederation. Llinás visits the places that feature in the songs and goes in search of the stories behind the album. Resulting in great entertainment, with songs such as ‘La pulpera de Santa Lucia’ including lyrics like ‘she was blonde, her blue eyes reflected the glory of the day, and she sang like a lark’.梦想合伙人[电视剧版]杨贵妃之死黑钱胜地 第四季疯狂的士寻找遗失的未来大女当嫁舞动人生真情年代大决战名校风暴 第三季暴裂无声超级巨星(原声版)夫人副本重启中夜车1959玻璃盒子城市特警暗恋橘生淮南胡一天版少林小子方世玉音乐救赎者骆驼客血色蝗灾科技新探铁达尼号真爱不死第三季战神阿瑞斯二十世纪快车法医秦明之雨中协奏曲和歌子酒第5季赌命游戏分手大师2014同一屋檐下霸道爱情之恋上灰姑娘冰尸玩过界野山百里香火烧岛之横行霸道粤语魔王撒旦的奴隶TOKYO MER～移动的急救室～电影版天狼星盟军敢死队巨星养成记国语机器人8号
82/100 #IFFR2022# 切入真实故事的角度俏皮有趣，具备充分的流动性，非常松弛畅快，节奏就好像里面的吉他弦乐一样，也令人想到拉美的文学传统，同时也体现电影的生成方式：前期筹备（选角排练画故事板）、实地拍摄、后期制作等过程；有图像后录制声音。切入过去只可能体现在当下对过去不同的创造方式。电影的调查行为不仅是对历史或时间的，也是对布宜诺斯艾利斯及周边地区的、对当今阿根廷生活的记录（如贫困问题以及镜头中出现的抗议活动）。
4.5
#iffr_2022#
8/10 流动的美感。
正片与花絮混杂于电影中，伴随着优雅的西班牙语念白，议题在多重语境中流畅的递进，嫁接。严肃的历史探访时刻被戏外的幽默感化解。始于音乐，也终于音乐。
#JeonjuIFF# 重演过去的歌曲and重制MV
2022鹿特丹
Llinás应该去做vlogger、YouTuber、TikToker，拍电影可惜了。
- 自由在我们身边，但它却从未深入过任何一个情感的瞬间节点。也许是想要维持一种轻松的文体，但这并不让电影变得更有趣。
+
【B–】台前与幕后的自由交汇，当然还有最重要的：美妙的音乐。
#JeonjuIFF# 重演过去的歌曲and重制MV
4.5
- 很好听的电影
4.5 虚构、当下和历史多重互文，用日常生活和排练取代《花》里的小说结构，小说里的悬念变成对当下意义的追寻，发现利纳斯在处理多重文本时的能力更加自如。
补标
电影，总是因为金钱，而变得狭隘。
#JeonjuIFF2022# 轻盈、流动，音乐很好听。
赞美利纳斯，我们这个时代最自由的电影人——电影、音乐、小说、历史，一切都流淌在他用西班牙语组成的优美血液中，而在这里，这个纯正的百科全书派将《花》第三部中柏拉图式的对话体进一步磨炼，在声画剪辑中达到河流般的流畅，时而进入歌唱体般的论战，时而在阅读中不加一丝怀旧地在当下接近历史，韵律堪称如火纯青，作为单纯的喜剧也极佳。这一切究竟是为何？因为他只拍摄存在而没有结局的事物。
4.5