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1936年6月，红军长征胜利后，红四方面军主力奉中央军委命令西渡黄河作战，这就是赫赫有名的西路军。沿途敌兵疯狂围堵，连日不断，茫茫戈壁，天寒地冻。1937年1月，筚路蓝缕的西路军第五军、九军和三十军历经艰苦，攻占了高台、临泽等据点。而这次具有重要意义的胜利到来同时，也意味着最终的生死血战拉开大幕。时任国民党第二方区司令官兼青海省主席马步芳，是只手遮天、狡猾狠毒的一方霸主。他派出奇兵将临泽等地分隔包围。历经八昼夜拼杀，红军所在的高台失守，马步芳旋即对红军展开疯狂的围剿和血腥屠杀。 在此危亡时刻，秦基伟临危受命，带领着红军最后的数百人抵死突围……热播电视剧最新电影记忆迷宫为青春点赞打星自白前往火星天鹅银魂：最终篇大雨将至2021绝密押运
1936年6月，红军长征胜利后，红四方面军主力奉中央军委命令西渡黄河作战，这就是赫赫有名的西路军。沿途敌兵疯狂围堵，连日不断，茫茫戈壁，天寒地冻。1937年1月，筚路蓝缕的西路军第五军、九军和三十军历经艰苦，攻占了高台、临泽等据点。而这次具有重要意义的胜利到来同时，也意味着最终的生死血战拉开大幕。时任国民党第二方区司令官兼青海省主席马步芳，是只手遮天、狡猾狠毒的一方霸主。他派出奇兵将临泽等地分隔包围。历经八昼夜拼杀，红军所在的高台失守，马步芳旋即对红军展开疯狂的围剿和血腥屠杀。 在此危亡时刻，秦基伟临危受命，带领着红军最后的数百人抵死突围……热播电视剧最新电影记忆迷宫为青春点赞打星自白前往火星天鹅银魂：最终篇大雨将至2021绝密押运
长篇影评
1 ) 难以触动西路军的悲歌——《惊沙》
今天闲暇时看了眼《惊沙》，简单说下自己的感受。
如果想了解西路军，还是看看各种书籍和评论，至少，可以看看甘肃博物馆里公开的官方资料。
马家军的情况，也是可以一并了解下。最好去趟青海。
关于这部影片，看点仅限于西路军的艰苦，其余均值得商榷。
冲锋枪是硬伤；
战争的影片表现仍是程式化，虽然血污多了些；
秦的形象有些过于拔高了；
西路军的凄惨在政治上还不能细说，而女兵们的遭遇，目前的文明环境下恐难公映，悲凉！
最后，不适合孩子们看，也不适合没有基本历史见闻的群体看。
如果想了解西路军，还是看看各种书籍和评论，至少，可以看看甘肃博物馆里公开的官方资料。
马家军的情况，也是可以一并了解下。最好去趟青海。
关于这部影片，看点仅限于西路军的艰苦，其余均值得商榷。
冲锋枪是硬伤；
战争的影片表现仍是程式化，虽然血污多了些；
秦的形象有些过于拔高了；
西路军的凄惨在政治上还不能细说，而女兵们的遭遇，目前的文明环境下恐难公映，悲凉！
最后，不适合孩子们看，也不适合没有基本历史见闻的群体看。
2 ) 我的影评作业~
The Victory Is By No Means Accidental
A review of the film JING SHA
By Veronica
The film Jing Sha was quite heart-shaking. It was adapted from an authentic historical event.The film describes the story of Red Army Western Expenditure, and portrays several distinctive characters. The battle between Kuomintang and the Red Army is stirring, and the stark contrast shown in this film is also shocking.
The whole film was structured on the basis of a stark contrast between the two forces.
Their attitude towards war was enormously different. At the beginning of the film, the head of Kuomintang army forced his soldiers to fight, using carrot and stick. He promised to give them whatever they want while executed the soldiers who defected or withdrew by shooting as a warning to others. For the soldiers in the Red Army, the situation was just the opposite. They wanted to stay at the warfront and fought until the last. They chose to stay even being forced to leave. When their lives were at stake, they put others’ interest first and cared little about themselves. The doctor put himself in danger saving the patients; the pregnant woman preferred to die fighting rather than leave. The wounded, the women, and even the children fought until the last moments of their lives.
Second, the contrast manifested in the combat equipments. The Kuomintang army used state-of-the-art combat equipments, and they ate well and drank well. But for the soldiers in the Red Army, they ate barks and grass roots. They didn’t even have enough guns and bullets. Bricks and stones were all their weapons. When all the munitions ran out, they pick ed up broadswords and fought hand-in-hand. It was the spirit that keep them fighting. Despite the harsh conditions, the Red Army resisted for over three days and finally broke out of the encirclement, showing their will and combat capability.
The film has successfully depicted several distinctive characters, among which Qin Jiwei impressed us most. His personality was quite full and complex.He was experienced in fighting and rich in war strategies. He showed his composure during the battles and made wise decisions about when to stay and when to leave. He also attended to others, and it killed him to shoot Guifang to death. He was fortunate enough to be the only one to survive and later became one of the generals who witnessed the victory of the Communist party and the foundation of the PRC. Guifang’s husband, Han, was warm-hearted and humorous. Peng was different from other soldiers. He appeared more like an intellectual, who was a little stubbon and conservative. But he recorded the combat with his pen and sacrificed his life. The song he sang shortly before death was really touching and heart-breaking.All the major characters had some characteristics in common: faithful to the army, brave and capable in fighting, and never be afraid of death.
This film is also impressive and worth praising because it successfully depicted several women characters. Gui fang is the most impressive one. She was courageous and capable. She fought against the enemy as men did, even when she was pregnant. As a woman, she regarded the interest of the army as more important than her own family. And the nurse was also bold. Confronting the brutal and savage enemy, she was weak and could do nothing except weeping. But she got the nerve to kill the enemy in fighting against the rape. Even a young girl showed her attendance of others and courage to fight and die. They all sacrificed themselves for the collective interests and more grandly, the ideal of liberation.
The film has its symbolic meaning. By telling the story of Qin Jiwei and other warriors who sacrificed their lives during the combats, the film indicates the difficulties and hardships of establishing a peaceful and prosperous country. While enjoying the life now, we should always remember those who shed blood to pave the way for a better tomorrow.
In terms of the technique of film expression, the three closes-up of Qin Jiwei impress me most. The first came after one wounded soldier said”the wounded are fighting forces in war”, and persuaded him to allow them to stay and fight. After taking a glimpse of all the wounded soldier, tears came into his eyes, and his facial expression was heartbreaking. The second came after he had no choice but to shoot Guifang in case she became the capture and was savagely abused. Tears was in his eyes and we sensed the deep sorrow and hatred in his heart. The last one came after the breaking out of the encirclement. After Pend left, he read the notebook on which the details of the combats had been clearly recorded, and he foresaw that they might never see each other again. Tears appeared in his eyes. He had lost almost all comrade-in-arms, but he knew that he should never surrender and must fight until the last minute of his life. The usage of closes-up focused on his facial expression and indicated his emotions, marking the progress of the story and functioning as symbols of each chapter. The structure was compact.The music was solemn and stirring. It created an atmosphere of combat and sacrifice.
A review of the film JING SHA
By Veronica
The film Jing Sha was quite heart-shaking. It was adapted from an authentic historical event.The film describes the story of Red Army Western Expenditure, and portrays several distinctive characters. The battle between Kuomintang and the Red Army is stirring, and the stark contrast shown in this film is also shocking.
The whole film was structured on the basis of a stark contrast between the two forces.
Their attitude towards war was enormously different. At the beginning of the film, the head of Kuomintang army forced his soldiers to fight, using carrot and stick. He promised to give them whatever they want while executed the soldiers who defected or withdrew by shooting as a warning to others. For the soldiers in the Red Army, the situation was just the opposite. They wanted to stay at the warfront and fought until the last. They chose to stay even being forced to leave. When their lives were at stake, they put others’ interest first and cared little about themselves. The doctor put himself in danger saving the patients; the pregnant woman preferred to die fighting rather than leave. The wounded, the women, and even the children fought until the last moments of their lives.
Second, the contrast manifested in the combat equipments. The Kuomintang army used state-of-the-art combat equipments, and they ate well and drank well. But for the soldiers in the Red Army, they ate barks and grass roots. They didn’t even have enough guns and bullets. Bricks and stones were all their weapons. When all the munitions ran out, they pick ed up broadswords and fought hand-in-hand. It was the spirit that keep them fighting. Despite the harsh conditions, the Red Army resisted for over three days and finally broke out of the encirclement, showing their will and combat capability.
The film has successfully depicted several distinctive characters, among which Qin Jiwei impressed us most. His personality was quite full and complex.He was experienced in fighting and rich in war strategies. He showed his composure during the battles and made wise decisions about when to stay and when to leave. He also attended to others, and it killed him to shoot Guifang to death. He was fortunate enough to be the only one to survive and later became one of the generals who witnessed the victory of the Communist party and the foundation of the PRC. Guifang’s husband, Han, was warm-hearted and humorous. Peng was different from other soldiers. He appeared more like an intellectual, who was a little stubbon and conservative. But he recorded the combat with his pen and sacrificed his life. The song he sang shortly before death was really touching and heart-breaking.All the major characters had some characteristics in common: faithful to the army, brave and capable in fighting, and never be afraid of death.
This film is also impressive and worth praising because it successfully depicted several women characters. Gui fang is the most impressive one. She was courageous and capable. She fought against the enemy as men did, even when she was pregnant. As a woman, she regarded the interest of the army as more important than her own family. And the nurse was also bold. Confronting the brutal and savage enemy, she was weak and could do nothing except weeping. But she got the nerve to kill the enemy in fighting against the rape. Even a young girl showed her attendance of others and courage to fight and die. They all sacrificed themselves for the collective interests and more grandly, the ideal of liberation.
The film has its symbolic meaning. By telling the story of Qin Jiwei and other warriors who sacrificed their lives during the combats, the film indicates the difficulties and hardships of establishing a peaceful and prosperous country. While enjoying the life now, we should always remember those who shed blood to pave the way for a better tomorrow.
In terms of the technique of film expression, the three closes-up of Qin Jiwei impress me most. The first came after one wounded soldier said”the wounded are fighting forces in war”, and persuaded him to allow them to stay and fight. After taking a glimpse of all the wounded soldier, tears came into his eyes, and his facial expression was heartbreaking. The second came after he had no choice but to shoot Guifang in case she became the capture and was savagely abused. Tears was in his eyes and we sensed the deep sorrow and hatred in his heart. The last one came after the breaking out of the encirclement. After Pend left, he read the notebook on which the details of the combats had been clearly recorded, and he foresaw that they might never see each other again. Tears appeared in his eyes. He had lost almost all comrade-in-arms, but he knew that he should never surrender and must fight until the last minute of his life. The usage of closes-up focused on his facial expression and indicated his emotions, marking the progress of the story and functioning as symbols of each chapter. The structure was compact.The music was solemn and stirring. It created an atmosphere of combat and sacrifice.
3 ) 这样的片子还想海外发行吗
主不主旋律不论，主旋律也可能拍得好看的。但这一类片子（非大制作的主旋律片）往往存在“根本就算不上电影”的问题，此片即一典型。情节、台词、表演、摄影、剪辑，弱智到不行。根本就不能用影评的标准去评判它。我看的版本有中英对照字幕，英文还是比较讲究，不是翻译机翻的。难道这样的片子还指望海外发行？费这事弄英文字幕干嘛？
4 ) 很棒的战争片
基本符合历史事实，比较客观。
战争的残酷表现得淋漓尽致，没有过分的夸大和粉饰，比同类的国产战争片要好太多！！！！
战争的残酷表现得淋漓尽致，没有过分的夸大和粉饰，比同类的国产战争片要好太多！！！！
5 ) 主旋律并非本意，历史才是关键
这个电影很主旋律，但是如果是为了弘扬主旋律，就不会拍马步芳的题材了。这段历史被有选择的忽略，出版的书和影片很少，西北军的故事大多流传在坊间，被正史淡忘也就渐渐被人遗忘。能拍成电影，一定环境下必须得又红又专。
这场战斗的实质是两股力量为了争地盘，一部分国人打另一部分国人。到了当时的形势下，已经无法分谁对谁错，尽管都知道自己人打自己人没意思，但是战争无法避免。成王败寇，自古如此。所以看看电影反映出的战争套路。
马步芳力量
1.在西北拥有一定地方影响和号召力，电影中告密者也是暗示。
2.熟悉地形，拥有地利优势。
3.武器精良，供给充分，军队强悍，尤其是骑兵。
4.武装先进，但是归根是西北地方势力，而红则是全国皆兵。
5.旧军阀缺乏信仰装饰，纯依靠奖赏和威吓。
红方力量
1.重视信仰教育和宣传得人心。即便是死了也是光荣，即便死了也得先要拉上一堆西北同胞。自己人再苦也要善待俘虏，这是对全国的宣传，占据道德制高点瓦解了敌方军心。
2.善于战略布局。分得清主次，下得了狠心，为了弹药、现金等物资，死一部分人没什么。为了保卫首长，或者大部队转移，丢弃一部分人很正常。但是，要给这些赴死之人价值感。
3.我方目标是全国，势力也在全国。马步芳虽强但也只是地头蛇。
电影好的地方是拍出了战争的惨烈，一个个生命就在底盘争斗中消失。不好的地方是，把西北人构成的马家军拍的跟日本鬼子似的。
兴，百姓苦。亡，百姓苦。
这场战斗的实质是两股力量为了争地盘，一部分国人打另一部分国人。到了当时的形势下，已经无法分谁对谁错，尽管都知道自己人打自己人没意思，但是战争无法避免。成王败寇，自古如此。所以看看电影反映出的战争套路。
马步芳力量
1.在西北拥有一定地方影响和号召力，电影中告密者也是暗示。
2.熟悉地形，拥有地利优势。
3.武器精良，供给充分，军队强悍，尤其是骑兵。
4.武装先进，但是归根是西北地方势力，而红则是全国皆兵。
5.旧军阀缺乏信仰装饰，纯依靠奖赏和威吓。
红方力量
1.重视信仰教育和宣传得人心。即便是死了也是光荣，即便死了也得先要拉上一堆西北同胞。自己人再苦也要善待俘虏，这是对全国的宣传，占据道德制高点瓦解了敌方军心。
2.善于战略布局。分得清主次，下得了狠心，为了弹药、现金等物资，死一部分人没什么。为了保卫首长，或者大部队转移，丢弃一部分人很正常。但是，要给这些赴死之人价值感。
3.我方目标是全国，势力也在全国。马步芳虽强但也只是地头蛇。
电影好的地方是拍出了战争的惨烈，一个个生命就在底盘争斗中消失。不好的地方是，把西北人构成的马家军拍的跟日本鬼子似的。
兴，百姓苦。亡，百姓苦。
6 ) 西路军浴血奋战的伟大史诗
这是一场沙漠里的战争，炮火炸开，黄沙扑面，装备精良、人数众多的国民党军队马家军骑着战马从远处袭来，衣着单薄、寡不敌众的西路军战士们英勇迎敌、浴血奋战——电影《惊沙》是一部展现西路军战士伟大革命精神的史诗，宁死不降的西路军顽强抵抗几个月后，最终全军覆没，然而，其精神永存！茫茫的戈壁滩上沙尘飞扬，天空大地为之惊叹、为之感动、为之哭泣。 电影不仅成功塑造了西路军战士的群像，更加重笔墨、突出展现了桂芳、秦基伟两个英雄式的人物性格。 桂芳是整个电影中最有性格的人物，也是塑造最为成功的人物。她性格刚烈、意志坚强，分明一个女儿身的男子；而最让人感慨的是她坚定的革命必胜的信念。战争是男人的事，可是这部片子里，最让人感动的不是男人，却是这个意志坚强的女人。 在西路军与马家军在临泽第一次交锋之后，为了保存实力，上级决定留部分人员与马家军作战，转移敌人注意力，伤员和妇女儿童是主要的撤离对象，而怀了孕的桂芳坚决要留下来与敌人战斗。面对丈夫和总指挥秦基伟（同时也是桂芳革命以来一直跟随的“三哥”）的劝退，坚决不从。桂芳说：“难道留下的，就不能活着出去了？”秦基伟担心战后，桂芳和丈夫有人牺牲，为他们补办一直没有时间办的婚礼。她一把摔了秦基伟递来的盛着酒的碗说，三哥，我从你跟你干革命，多少仗咱们都闯出来了，今天咱们也一样能闯出去！ 战场上，她像个男人一样，举起冲锋枪向敌人扫射。被敌人俘获后，她大声对远处的三哥说“我不能当俘虏，三哥，三哥，快打死我！”被敌人拖走时，血顺着裤腿留下，但桂芳依然是倔强的表情。 事实上，秦基伟是剧中的主角。他冷静、理性，胆大心细，是剧中最有智慧的人。同时，他又和蔼亲切、体恤下属。（不展开叙述了，此处省去N多字。） 除了人物塑造的成功之外，电影另一个成功之处在于宏大叙事中，它对人物之间的感情进行了特写，一起挤羊奶的幺妹和米娃之间的兄妹情，文护士和刘医生之间的战友情……红军队伍中的革命深情，表现得酣畅淋漓，感人肺腑。 然而，剧中仍有一些不足之处。 桂芳是整个电影中最有性格的人物。她的死是剧中的一个高潮，然而，对桂芳这个人物，剧中处理不好的是，由于桂芳性格的过于突出，而桂芳过早的牺牲后，使得后面部分没有了看点。 看到最后，才发现这是一部关于秦基伟将军的人物传记，然而在47年以前的那段历史中，似乎难以看出秦基伟是主要人物，因为在电影的前一个小时的时间里，电影没有集中关注秦基伟个人，而是分散在对西路军群像及桂芳、韩仕宏、老彭、米娃、幺妹等次要人物的刻画。这是一部伟大的西路军浴血奋战的史诗，却不是一部成功的人物传记。
此若为烂片，豆瓣就是豆瓣酱。主旋律怎么了？难道这年头主旋律贬义词了？
很久没有这么热血的片子了，炫耀IQ炫耀金钱逻辑混乱的所谓欧美大片，低级恶俗垃圾笑料拼凑的所谓贺岁喜剧，歌功颂德的历史事件的流水账似的所谓红色电影，都不如这样一部选择一个历史细节一个感人场景来得更加触动心弦，引人深思。至于很多人表示不爱看不好看，只能说明我们社会太多都是贴着伪红色标
战争对女孩来说太可怕，看到桂芳倒下的那一刻心里好难受
宏观上刻意回避西路军失败的历史原因甚至历史事实，微观上肆意编造各种战争场面。
不被认可的历史尘封在了70年前的荒漠戈壁上
怎么说呢,1937年就拿着斯登式到处突突着智能追踪子弹的超时空战队
我觉得拍挺好的，不明白现在豆瓣评论各种偏激为哪般，咱客观点行不行
说实话这比《喋血孤城》好看多了，只是结尾有点过分奉承赞扬中共
不错
主流中的主流。
这部电影是秦基伟的儿子秦天编剧，却专挑了一段父亲失败的历史
主旋律的紧
眼泪止不住地往下掉
惊。惨。不忍回首。
因为历史问题，西路军始终没被讲述和挖掘过，直到近两年，才终敢于宣传，我只能说这种题材本身就很不讨巧，又很不好拍
真正的悲壮大片，西路军不朽，西路军万岁。能让人看到想哭的电影，真的想要流泪。
有些地方用力过猛。
惨烈大于感动
并非又红又专，带有中国式爷们气概的主旋律片...还是挺激昂的...很用心的一部作品...
cctv6放的……