凯莉日记第一季

虽然剧情有点雷，不过每集日记里面的内容很经典，值得收录下来！
不定时更新在我的日记：http://www.douban.com/note/316206188/

【S01E02 】"Lie with me"

    They say that the eyes are the window to the soul, that looking into someone's eyes is to know the truth, to know what's real. The same could be said for the city that never sleeps. It's honest and totally awesome.

    Pinocchio（匹诺曹） was a puppet that wanted to be a real boy. All he had to do was be truthful, and his wish would come true. And even then, he couldn't help but lie.

    Doing the right thing is hard. Maybe because lying is often easier than the truth. And sometimes it actually gets what you want. But at some point, like Pinocchio's nose, the lies just keep growing until it's hard to tell what's real and what's not. And we can either live in that world of make-believe or face the truth and everything that comes with it.

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【S01E03】"Read before use"

    Let's face it. Life is easier if you read the labels, like "Do not put it in dryer" "Expiration date: one week ago". Everyting we wear, everything we eat--they all have labels. The same is true for everyone we know, "Stoner（酒鬼）" "Class clown" "Well-meaning but ultimately clueless guidance counselor" and "The boy of my deams".

    Now I knew what it said on Sebastion（人名）'s label--"Contents under pressure, handle with care". Unfortunately, I never bothered to read it. That's the tricky thing about labels.

    Once in a while, they tell us everything we need to know. But most of the time, it's only a very small part of the story. Slapping a word or two on a person can make things worse. In reality, nothing is ever as simple as the label we give it.

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【S01E04】"Fright Night"

    The scarest thing in high school: when someone breaks your heart, it's such a small place that you can't avoid them. It's ironic. The time in your life when you're least capable of managing your emotions is the same time you're locked up for eight hours a day with the people responsible for those emotions in the first place. It was like I was living in my own personal horror film--"The Rise of the Boy who Broke My Heart". And apparently it was playing everywhere.

    Valentine's day is about love. Christmas is about giving. Arbor day（植树节） is about trees, I guess. I get celebrating all those things, but Halloween? Halloween is a holiday where we put on costumes and try on different versions of ourselves--the princess, the demon（恶魔）, the bird flying free.

    It's fun not to be "us", and to not have to face the reality of who we really are and the things that scare us, like our vulnerabilities（脆弱）, or what we really want for ourselves, or our fear of change and what it will inevitably（必然地） bring. Being someone else for a night can be fun or scary. Either way, it's only one night, and when the masks are off and we're being ourselves again, we have nothing to hide behind, and maybe that's okey.

    But my night in Manhattan（曼哈顿） had taught me one thing: No matter what you're going through, it's always better if you have people to share it with. I was lucky, I wasn't an island at all.

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【S01E05】"Dangerous territory"

    When we think about entering new unchartered（未知的） territory, it always comes with the idea that we forge ahead. And that's true to some degree. But often to forge ahead, we have to look back to understand what we're leaving behind. And it can be scary because behind us, there are often blind spots--things we want to ignore or couldn't even see, that can stop us from our journey forward, but only if you let them.

    At some point, you have to let go of the past and stop looking behind and embrace what comes next. I was entering new territory, moving on, letting go of the old. My mom was right: Sometimes change is good.

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【S01E06】"endgame"

    When we focus too much on our endgame（结局）, we can miss the fun of the journey, we can miss the detour（绕道） that would take us somewhere even more rewarding.

    We like to set goals, because they give us a feeling of control. But control is an illusion, because sometimes the earth moves, and we have to deal with wherever we end up, whether it's on solid ground or not.

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【S01E07】"caught"

We all feel caught at some point or another between choices. As the Band Devo（退化乐队） said, "Freedom of chioce is what we want. Freedom from choice is what we need." Having choice, at first, feels exciting, but after a while it can also be overwhelming, like we're trapped with no clear way out. If you're lucky, you might find someone is there to catch you when you finally escape the web. But most of the time, it's harder.

Some people get caught between their secrets and wanting to do the right thing, while others are caught between their desires and their ambitions.

I was faced with tough decision, for sure. But I no longer felt caught between what I wanted and what my dad wanted. I realized this was my life, and I wasn't going to have any regrets.

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【S01E08】"hush hush" 保密

We all have secrets. when we're little, they start off innocent--A hiding place, a stash（藏匿处） of candy, a hush-hush crush. But as we get older, our secrets get bigger and better.

Often what we want, what we desire is something we keep deep inside of us. Something so dear and so special, it feels too scary to let it out into the open. It's our own little secret, and therefore, safe from harm. But maybe we have to let those secrets out in order to actually really live. The fallout from those secrets being revealed is often hard, or sometimes surprising and maybe even inevitable.

I wasn't given a choice, but I think I was relieved that all my secrets were out. And even though I was scared, I was also relieved not to have to hide my feelings anymore. It wasn't much, but it's a start.

Letting go of people or traditions is hard because you invest so much in them that to let go can be scary . But it can also be liberating...or even essential to your happiness.If you don't let go ,you can find yourself in a dark place unable to kick your worst habits.And sometimes , if we truely love someone we have to be okay with letting go.
让旧人和传统过去是很难的，因为你投入了太多而害怕失去。但是让它们过去也可以是一件解放身心、甚至必要的变快乐的途径。如果你不让过去过去，你可能会让自己深陷黑暗的角落,无力摆脱最坏的习惯。所以有时候，如果你真的爱过一个人，你不得不温柔地对过去说再见。

Geoffrey Chaucer wrote: “time heals all wounds,” but what he failed to mention was the scar those wounds leave behind. The painful things that happened to us permanently leave their mark. They don't necessarily hurt anymore but they are always there as a reminder, as a memory. And as time passes maybe the memory gets a little fuzzy. But we always have the scar to remind us it happened that we lived through it, that we survived.

杰弗里·乔叟写到："时间会治愈一切伤口"。但他没提到，那些伤口留下的疤痕。那些发生在我们身上痛苦的事，会永远地留下记号。它们不必再带来伤痛，但它们会像备忘录，像回忆那样一直存在，随着时间的流逝，也许回忆会渐渐模糊，但总会有伤疤提醒我们发生过的事。我们经历过，然后挺过来。

                                — Carrie Bradshaw, The Carrie Diaries S01E13


Right now, the label on me would say, "Heartbroken, extra large." But the one thing that you have to remember about the labels--they only matter if you let them stick.



高中生的泡沫时装剧 还能有多少高要求
去年夏天看完的剧
剧情比较平庸
唯一记住的就是sebastian的金发碧眼加微笑 （果然对北欧血统毫无抵抗力）
还有就是几句carrie的一些内心独白

比方说--
“There's a breif moment when you first wake up where you have no memories -- a blissful blank slate, a happy emptiness. But it doesn't last long, and you remember exactly where you were, and what you were trying to forget--...--what is worse, you have no one to be angry with except yourself.”

再比方说--
“When my mom died, I didn't cry at all, once. I think because, in a way, I've been numb ever since. But not tonight. I felt everything. I felt happy. So happy that I couldn't handle it for a second. But I'm ready. To feel everthing.”

然后就是最上面的一段话 也是第一季剧终引言
time,
wounds,
scar,
memory,
live thourgh
survive...

听过一遍 就再也难忘
太过感同身受

就因为这一点 推荐一下~

好吧，其实这篇剧评我只是想写给自己看的。看到豆瓣上评分这么低，充斥着很多人不满的评论，但我还是依然很喜欢Carrie和她的生活。

故事发生在1984年，不过我却有点不敢相信。或者说，我根本不了解时代和时尚。那个时候，interview的时尚编辑就可以是黑人女人了。可是为什么到现在，有人依然高呼"Black lives matter.""Girls just want some fundamental rights."那个时候Walt家人都是W.A.S.P.但他依然勇敢地出柜了，可是如果现在发现自己是gay还是要像小狮子一样斗争和自我思考的。那么，是这个故事纯属瞎编吗？一切都是杜撰的？我真的没法说一二，但是我觉得Things are never easy.

人这一生要寻找自我，真的是每一个人必过的槛。不管是为了去追逐自己真正喜欢的事业还是去爱自己爱的人，都真的永远不可能一下就能了得。可是人们为了走捷径，总是在犯错，也许会失去友情，失去他人乃至亲人对自己的信赖。但最重要的是，自己还是自己，不管发现自己犯了什么错，当你用真诚和充满热爱的自我对待他人，找到自己，那一切都会过去，一切都会发展，一步一步好起来的。这个道？理？，我们在大大小小的教训中其实都能知道，但是到自己真的在度过人生中的一道道槛的时候，在犯错时会忘记，但是仍会用真心去弥补。将来回想年轻时，就会觉得人生还真是印证了这个道理。

Carrie有绚烂的生活。从小到大的好朋友，Mouse、Maggie和Walt，四个人挤在小餐厅的椅子上，吃着东西，谈论爱情和学业。Carrie的妈妈在她高二时去世了，但她很像她的妈妈，无论是写作还是对曼哈顿这座城市和时尚的热爱。看到她家里她的房间的布置，是个有梦想的可爱女孩啊。衣服一套一套，从高中女生到Interview的时尚职员，衣服变的越来越花哨，我真的是喜欢她每一个阶段的衣服。爸爸是律师，虽然成了寡夫，但依然能够教育女儿们。小妹Dorrit正十分叛逆，吸大麻，喜欢性手枪乐队，但她也许其实是内心最柔软的那一个。当她用自己的方式表达不满情绪，虽然会离家出走，但在关键的时候，她也总是理解姐姐Carrie和这个家。

ohhh,最重要的爱情的部分来了，Sebastian Kydd我觉得他长得不是很帅啊，但是他和Carrie分分合合，但两个人也许在暑假里一起游泳时就已经注定要爱对方了。当他试图亲Carrie却被她推下水，也把她自己带跑时，两个人真的已经会在一起了。也许会争吵，这是必然会发生的。可当我想到两个人坐在学校的长椅，Carrie还没有怎么蜕变时，她穿着高跟鞋，画着高中女生不浓郁但也不清淡的妆和一头小卷金发时，他也梳着利落的头发，穿着黑夹克和一条长长的牛仔裤时，这真的是每个喜欢高中爱情的人都梦寐以求的场景吧。她带着不怎么张扬的挂坠，手中拿着令女生们喜爱的大笔记本；他背着黑色的书包，有着每个男生期望的身高。这也许是刻板印象吧，但一切还能再美好点吗？
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我真的真的十分喜欢那个追逐梦想，向往曼哈顿的幸运的女孩。她有朋友，有爱人。她有自己热爱的事业和生活，即使当这一切还没来到她身旁时，她已经开始在日记本上开始写下这一切了。那个夜凉如水的夜晚，她的房间被微黄的灯光温暖地充盈着，她写下了Mouse和Seth的爱情，Maggie和Walt的纠缠和她自己。She is definitely gonna have the life she wants.

最后，我想起Larissa让Carrie协助她偷衣服的故事，Larrisa怎么会缺钱呢，作为时尚编辑她的衣服也从来不会少啊，可是她自己说了，她喜欢这种刺激。虽然她也一样有时很脆弱，从来不会忘记追逐那种自己和刺激，和那种自己渴望的生活。

Carrie is always there,running and chasing her life.So should me.

也就是肥皂美剧了，没什么好的。但是鉴于里面用词很简单，倒是可以练练听力，学学英语还是不错的。
至于剧情没啥好说的。男主角很帅，很通情达理。perfect boyfriend.
Carrie就是个事儿妈，很多事情都是她自己做的不对，反倒一直来教训别人。
比如感恩节晚宴，爸爸说了可以叫外卖嘛，她非说自己要做，然后做烂了又怪别人。
比如和男友计划的初夜，是自己事多搞砸了，还怪对方。死不悔改，结果还是男主角来道歉。
太自以为是，总以为自己是对的。别人有个小问题就吹毛求疵。
很喜欢里面的妹妹，Dritte. 非常酷和率真的妹妹。妹妹比姐姐懂事的多。

对于第一部美剧不以《老友记》而以《欲望都市》开篇的姑娘来说，对《凯莉日记》的期待多少有点吹毛求疵的意思，甚至新一期时装杂志采访里，连Sarah Jessica Parker本人都含蓄表示，这个剧确实有点奇怪。《欲望都市》的看点太多，且不谈思想深度，仅仅是对时装风格的把握，再怎么天马行空，也只能80年代点到为止。

93年出生的AnnaSophia Robb着实是个面容精致的小妞，可是，真的不是完全理想的梦幻女主角，最起码不符合我对肩、对腿的审美要求，虽然她有极好看的腰线。你永远想象不到现在死宅死宅的女影迷有多挑剔，你看第四季的《吸血鬼日记》，虽然剧情越来越狗血，人格设定越来越随便，Nina Dobrev照样把大家迷得七晕八素。（Oh，我的Ian Somerhalder）

第一季，13集正常完结，花了太多时间和精力交代家庭关系，刻画人物性格，着实不吸引。后半段的坚持在于，12集，导演终于开始费心描述“凯莉”overthink的思想特点，间歇性的完美主义者。“Because that’s who I am and obviously you don’t like that.”

Austin Butler。这位一开始就不是五讲四美的男主，终于越看越顺眼了。